{"id":97,"date":"2008-12-17T10:04:09","date_gmt":"2008-12-17T10:04:09","guid":{"rendered":"http:\/\/paradasos.com\/?p=97"},"modified":"2021-02-14T10:19:14","modified_gmt":"2021-02-14T10:19:14","slug":"stereolab-oran-mor","status":"publish","type":"post","link":"https:\/\/frasersm.it\/h\/stereolab-oran-mor\/","title":{"rendered":"Stereolab @ Oran Mor"},"content":{"rendered":"

As ever, when it comes to going to gigs, we got there too early.\u00a0 Sydne tends not to drink and I’m always driving so, rather than do what everyone else does and relax in the bar upstairs until the door opens, we can usually be found freezing at the dingy little door which leads into the venue for twenty minutes or more before a gig.\u00a0 Fortunately, thanks to Xmas being just round the corner, we were blessed with something more diverting, in the form of late night shopping, to pass the time.<\/span><\/p>\n

Upon finding ourselves on Byers Road with a spare thirty minutes, we did what any self respecting\u00a0music fan\u00a0would do and headed straight for Fopp.\u00a0\u00a0 Of course, a visit to Fopp isn’t complete without spending money.\u00a0 Always on some bargain\u00a0you didn’t know you needed twenty minutes earlier, but now, absolutely\u00a0must have since its just so cheap.\u00a0 This time was no different.<\/p>\n

As I idly browsed, Sydne came running up to me with her hands behind her back and a huge grin on her face.\u00a0 ‘I bet you anything that when you see what I have behind my back, you’ll have to buy it’ she said.\u00a0 Being experienced enough to recognise the signs which signal an imminent parting of this fool and his money, I said nothing and looked at her expectantly.\u00a0 And sure enough, for just four of your shiny new pounds…<\/p>\n

\"\"<\/p>\n

That\u00a0girl knows me so well sometimes, it’s scary!<\/p>\n

I’ve always been a fan of Jamie Hewlett’s artwork ever since the early days of\u00a0Tank Girl appearing in Deadline back in the early nineties.\u00a0 So,\u00a0for some time, I’ve had my eye on\u00a0this book, but\u00a0I could never justify twenty five quid on it.\u00a0 At four pounds though, Bargain!\u00a0 (especially since, according to Amazon, it’s out of print and the few remaining new copies are going for \u00a350!)\u00a0 They had done it again.\u00a0 Damn you Fopp and your reasonably priced media, costing me my hard earned small change (and dwindling storage space) at every visit.<\/p>\n

I spotted something though that just seemed plain wrong.\u00a0 Fopp have started selling computer games.\u00a0 I can’t define why exactly it’s wrong, but it just is.\u00a0 Even though they’re now part of the HMV\u00a0megalith, they still exude, and trade on, the slightly musty air of an independent old-school record shop.\u00a0 The kind from High Fidelity.\u00a0 One that smells like your parents loft and is generally populated by slightly balding men in too much denim who are old enough to know better but too old to save.\u00a0\u00a0Fopp selling computer games\u00a0feels tantamount to Dylan going electric in ’65.\u00a0 I managed to fight the urge to scream ‘Judas’ as we bundled out the door and headed back in the direction of Oran Mor.<\/p>\n

We descended the stairs to the venue entrance with fifteen minutes until the scheduled opening time.\u00a0 A\u00a0minute or so\u00a0later, we were joined by a friendly, talkative Aidan Moffat lookalike.\u00a0 When we revealed we lived in Motherwell, he recounted a story of the last time he had been in one of Motherwell’s less respectable drinking establishments and witnessed a fight breaking out.\u00a0 The two aggrieved\u00a0parties found their way into the\u00a0car park,\u00a0and then partook in a somehow more wholesome and innocent\u00a0kind of fight\u00a0which is seldom seen in these\u00a0harsh times;\u00a0 A manner for which the correct term would probably be fisticuffs rather than fight.\u00a0 Jackets and shirts were carefully removed beforehand to reveal threadbare string vests.\u00a0 They fought sportingly for a few minutes before agreeing a draw, shaking hands and returning back inside together to conclude the consumption of their alcoholic beverage of choice.\u00a0 Our Aidan-a-like described it as ‘One of the most beautiful things I’ve ever seen’ and I can’t help but agree that it sounds like it.<\/p>\n

A few more minutes passed and the queue began to grow some more.\u00a0 A man with an American accent appeared and asked if this was where tickets could be bought.\u00a0A few minutes earlier, our Aidan-a-like had spoken to one of the bouncers since he too was wanting to buy a ticket. The bouncer had confirmed there were fifteen tickets\u00a0still available. He recounted this information to the American.<\/p>\n

‘Aye. It’s no’ open yet though. theres about fifteen tickets left.’<\/p>\n

To my ears, this was spoken quite clearly, but in hindsight, his accent must have been a bit impenetrable to those of a non-Glaswegian persuasion.\u00a0He\u00a0listened intently and nodded at all the correct moments but no lightbulb of understanding ever appeared above his head.\u00a0 The cogs continued to visibly turn after silence had resumed.\u00a0\u00a0A look of mild panic dawned on his face as he realised that\u00a0it was his turn to speak\u00a0but he had no idea what had just been said to him (a\u00a0look I know only too well from my feeble attempts to speak German when visiting Sydne’s folks).\u00a0The entire queue\u00a0smiled at him encouragingly, as if hoping that we could make him understand by sheer will alone.\u00a0 Aidan broke the silence again. “It’s due to open in ten minutes and there’s still about fifteen tickets left” The cogs appeared to speed up, but the eureka moment was still evading him.<\/p>\n

Eventually, he spoke.\u00a0 ‘So…it…is…<\/em>where we get them?’\u00a0 he asked tentatively. \u00a0We all nodded thinking that our collective psychic encouragement had prevailed and he had managed to penetrate Aidan’s accent. Sadly, we were mistaken. He immediately followed up by beginning to squeeze past us and head for the door. The tension in the crowd released itself with an audible ‘NO’ from a few of it’s number. He recoiled like a\u00a0toddler being reprimanded for trying to touch something ‘burny’.\u00a0 Someone else in the queue tried his luck, over enunciating every syllable. ‘This. Is. Where. You. Get. Tickets. But. It. Is. Not. Open. Yet.’<\/p>\n

…glaciers drifted…<\/p>\n

‘Aaaaah’. The American smiled and nodded. The rest of the queue exhaled as one. With the sound of a dropping penny ringing in our ears, silence returned to the queue.<\/p>\n

Another few minutes passed, then the doors opened and we were allowed in. Oran Mor looked just as warm, cosy\u00a0and inviting as ever. The soft lighting and bare stone walls,\u00a0accented by\u00a0the tasteful Christmas decorations, painted a festive picture which would just require the presence of a roaring log fire to be complete.<\/p>\n

While we were waiting for the entertainment to begin, I had observed that, with Stereolab’s wealth of antique keyboards and other equipment surrounding the stage, the space left in the middle for the support act, ‘The Week That Was’,\u00a0to perform in was miniscule. I wondered how they would fit.\u00a0 I was reassured therefore to discover quite how tiny most of the band were.\u00a0 They were abnormally small.\u00a0 Positively Lilliputian.\u00a0 The singer looked a bit like a tiny Bob Mortimer but there was\u00a0an exact 1:3 scale replica of Alex Kapranos on drums, perfect in every detail right down to his pointy little shoes.\u00a0 Conversely, the bass player\/percussionist was \u00a0their Gulliver. He towered above the rest of the band and I half expected the others to pull him to the ground and tie him up halfway through the set.<\/p>\n

That didn’t happen so I had to entertain myself with the music, which had the angular guitars and harmonies of the Futureheads but\u00a0strayed dangerously close to the\u00a0dreaded ‘prog-rock’ for way too much of their set.\u00a0 Occasionally, I’d find myself liking what I was hearing but then the song would\u00a0meander off in an altogether more noodly direction and I just wanted to scream ‘Now look what you’ve done!’ at the stage.\u00a0 Overall though, they weren’t bad.<\/p>\n

Eventually, Stereolab arrived on stage.\u00a0 Now, much as I consider myself a fan of the band, I have to confess to only really being familiar with\u00a0four of their albums.\u00a0 For some reason, although I love those albums I do own, I never got round to filling in the gaps.\u00a0 I think its always the problem with discovering a fairly prolific band when they are already four or five albums into their career, that you are\u00a0forever playing catch-up and don’t know where to begin.\u00a0 Especially when it comes to a band like Stereolab who seem to have an endless catalogue of ltd 7″s and rareties that make catching up seem like an impossible task. Because of that, I\u00a0only really knew a handful of the songs they played.\u00a0 They have such a definite sound though that it didn’t matter as much as I feared it might.\u00a0 Still, it would have been nice to have heard some more songs from ‘Emperor Tomato Ketchup’.<\/p>\n

What the songs lacked in familiarity to me, they more than made up for in volume.\u00a0 Stereolab were LOUD.\u00a0 Earbleedingly so at some points.\u00a0 The two main touchstones of Stereolab’s music were always 60’s French pop and 70’s Krautrock, (although the new album has a large slice of Motown thrown in).\u00a0 Most of the songs they played started at the French pop end of the spectrum and grew to become krautrock beasts by the end.<\/p>\n

As I thought they might, they finished the main set with ‘French Disco’ to rapturous applause.\u00a0 When they returned though, it was as though they decided to turn up the volume some more.\u00a0\u00a0Twenty more minutes of krautrock wig-out ensued and then they were gone.<\/p>\n

On the way out, I held the door open for Stuart Murdoch from Belle\u00a0& Sebastian.\u00a0 He didn’t say thank you.<\/p>\n","protected":false},"excerpt":{"rendered":"

As ever, when it comes to going to gigs, we got there too early.\u00a0 Sydne tends not to drink and I’m always driving so, rather than do what everyone else does and relax in the bar upstairs until the door opens, we can usually be found freezing at the dingy little door which leads into […]<\/p>\n","protected":false},"author":1,"featured_media":2573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[7],"tags":[101,120,151,191,210,259],"jetpack_publicize_connections":[],"acf":[],"yoast_head":"\nStereolab @ Oran Mor | Fraser Smith<\/title>\n<meta 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